Almost simultaneously through their music all the most important styles and compositional techniques of the 20th century were introduced to Estonian music: neoclassicism, dodecaphony, serialism, sonorism, collage technique and aleatoricism. Estonian music in the 1960s was shaped by an entire generation of innovative composers with a modern approach - although a few years older, besides Pärt there were Eino Tamberg, Veljo Tormis, Jaan Rääts and their junior follower Kuldar Sink. Those were also the years of his early modernist compositions. 1 (1963).Įarly period (1958-1968) Pärt worked as a sound engineer at the Estonian Radio from 1958 to 1967. Several works composed during his student years still belong to the official list of his compositions: two sonatinas (1958-1959) and partita (1958) for piano, and orchestral works such as Nekrolog (1960), Perpetuum mobile (1963) and Symphony No. His studies were interrupted by mandatory military service in the Soviet Army (1954-1956), after which, in 1957, he continued at the Tallinn State Conservatoire under Heino Eller graduating in 1963. Having graduated from Rakvere Secondary School No 1 (1954), he continued studying music at the Tallinn Music School under Veljo Tormis. In 1938, the Pärt family moved to Rakvere, where he began to study piano at Rakvere Music School under Ille Martin. There is no compositional school that follows Pärt, nor does he teach, nevertheless, a large part of the contemporary music has been influenced by his tintinnabuli compositions.Ĭhildhood and studies Arvo Pärt was born on 11 September 1935 in Paide, where he also spent his first years. In 1976, he created a unique musical language called tintinnabuli, that has reached a vast audience of various listeners and that has defined his work right up to today. Arvo Pärt is one of those composers in the world, whose creative output has significantly changed the way we understand the nature of music.
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